Drama of the independence period

According to the textbook, Uzbek drama is linked to the cultural climate of the early twentieth century: the Jadid enlighteners regarded the theatre stage as a school of lessons and a mirror for the people; “Padarkush” (Behbudiy), “Abulfayzxon” (Fitrat) and “Sohibqiron” (Oripov) are named as examples of this tradition. In comedy the author conveys the idea through character and laughter, while in tragedy through the pity that arises from an extremely strong conflict between heroes and their environment; “Temir xotin” (Sharof Boshbekov) is given as a tragicomedy that combines features of both genres. In the dramas of the independence period Uzbek life, national values and customs, the heritage of ancestors and awareness of national identity are at the centre of attention. In a stage work a character is revealed by means such as dialogue and monologue, action, gesture, silence, tears or laughter, so the author writes with the audience’s reception in mind.